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Why we Paint....

Ann Weigel
www.ArmChairPaintClasses.com 

Written for ArmChairPaintClasses in 2001

Why do we paint?

 

Why we Paint

Why do we paint? There is always  standard answers: Because it is relaxing; to portray the artist's point of view; as a method of expression; etc. etc. Well those are not my reasons. Here is what motivates me;1. Preserve my sanity (if there is any sanity to save!).2. Relieve stress (I must have a lot of stress since I paint for hours every night after working nine hours day for the USDA)3. To get the feeling of accomplishment (Well perhaps I should restate that, "to get the feeling of improvement since the last attempt")4. To know that there is a possibility that I might be famous. (On the second thought- not in this lifetime.)5. So I can portray a perfect little world. (The key word is "little" since that perfect world only exists in my "little" mind.)6. Have an opportunity to surround myself with color (all over my hands, face, desk, floor, windows, dog -she likes paint too, etc.)7. So that people recognize me as the artist. (Perhaps I misinterpret - they recognize me as the crazy artist that is a bit touched) 

 What do you concentrate your attention on when you are in the process of creating? There are several things that concern me when a white piece of watercolor paper is staring me in the face.  These you can remember as the four "C's" Once the subject matter is determined, the first concern is the Composition after all the placement of the objects and number of them can make or break a painting.  If they are placed badly, the rendering of them will be of no importance.  To go along with the composition is my concern for the Corners of the painting.   Each needs to be different to be interesting yet connected to each other.  Contrast between the elements of the composition is extremely important.  Without that balance of light and dark, the work may appear flat without depth. Before the white paper has a mark on it, the general Colors are planned.  The coloring can state the mood, weather, or general feeling of the piece.  From time to time I have read about how artists prepare for their work.  Some make many sketches before starting.  Others made a very detailed drawing on the canvas or paper. And still others have the image in their mind and just put it down in paint.  (Those are the most amazing to watch.)   Being a rather impatient person, I begin with a drawing of minimal extent.  By doing that much, the composition emerges enough to tell if it is going to work or not.  There have been times when the whole thing has gotten erased and started over again. But I don't quit because I love it so much. If I can find the time to paint and create a 'perfect' little world, don't' let distractions, or time crunches stop you from doing what you love!
 


July 2001

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